Ah yes, after I wrote that last message I started to recall that Pro-L 2 might have that setting in there somewhere. I’m using Limitless 2/3 of the time and Pro-L 2 1/3 of the time.
I’m comfortable enough with my workflow that I’m not dying for a feature like this, but I do think if some form of Smart Bypass/Level matching could happen in the montage to bring the processed version down (or up) to the level of the reference track output, it would be a nice feature.