If I had a camera with a flattering filter for my ugly face I would. And I’d need to hire a VO artist so you (I) wouldn’t have to hear my awful voice…
Incidentally one other thing I like about this workflow is that with faders always sitting at unity because of touch-trim (for dialog) when working with cheaper surfaces I don’t have to listen to them moving up and down all the time. For things like music automation where moves are typically much longer I leave them in latch and it’s less of a noise-issue.