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WaveLab
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Thanks so much for taking a look at this Kamalski. I’ll check it out and get back to you. I’m still thinking an artificially high LUFS target like -3 LUFS or 0 LUFS without peak constraints in Preset 1 works just as well as “match loudest clip” in determining which is the quietest clip, and that the quietest clip doesn’t need to be selected until after Step 1:

  1. Run Preset 1

1a. Look at the clips tab to see which clip was raised the most by Preset 1 (raised the most, because it was the quietest clip). Select that clip.

  1. Run Preset 2

2a. (Leave the selected clip selected for Step 3)

  1. Run Preset 3

If our presets are exactly the same, that method works for me, but like I said I’ll check it out again.