Thanks for your thoughts, Colin. Over the years, I’ve gotten pretty familiar with, and adept at, making 2 identical instruments sound like 2 different players, so that’s not a problem. My current issue is that I need a solo bassoon that sounds great from top to bottom, because it is being used in a small ensemble and is completely exposed and also needs to be pretty agile. From what I’ve listened to in the last few days, I think the Miroslav Philharmonik has possibilities, so I might be going in that direction.