Nice work! It’s a lot like the process Lydiot described-- with a contiguous chunk of RT under the dialog track…
…what I’m hoping to figure out is a way to do exactly what your macro does, only based on what’s held in the range tool’s buffer, rather than referring to a separate track for replacement source.
There’s got to be a way. Doesn’t there? I should have developed and maintained my macro skills… was using them a lot in N3 and early N4, but stopped fooling around with them when I got out of the production situation that was making them expedient. Well, here we go again.
Chewy
Edit/add… I have a feeling the key to doing what I’m talking about is actually in the macro you made. Now, if I can just find an hour or so to work on it! 