Hello!
When doing room correction, it makes sense to do it for each set of speakers you have, right? You just need to remember which instance of the plug-in to switch on/off, depending on which speakers you’re listening to, right?
Just trying to see my thoughts out loud.
Thanx!
This would be a good reason to use Control Room. If I remember correctly you can have different paths set up for different selected playback systems, each with different insert-chains. At the press of a button you can then switch between solutions that are all independently adjusted.
true - I can’t think of a good reason NOT to use Control Room even if you don’t use room correction ?
True.
You are right.
That is how you need to do it.
Newbie question.
How does control Room benefit you? I don’t have a control room.
Are you responding to Dr.?
You don’t need a ‘literal’ control room in order to benefit from its functionality. With it you can accomplish several convenient things.
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You can assign key commands to many of CR’s functions
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You can have different speaker selections with their own inserts/correction/bass management applied to them.
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You can upmix/downmix.
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You can set up different sources for monitoring, and switching between them doesn’t interrupt the signals in the regular mixer. This way if you’re in post-production you can have one source for dialog editing in mono on a single center monitor out of a 5.1 setup… or switch to monitoring only the M&E mix… or the DME… or the FX…
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You can reverse rear channels to the front.
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Separate level control: You can have a reference level set up that you can toggle on/off.
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Separate level control: You can set levels freely.
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Separate level control: Dim to predetermined value.
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AFL/PFL…
https://www.youtube.com/watch?time_continue=596&v=i3P_RENaoG0&feature=emb_logo
Definitely worth looking at!
Thanx!